下面的表格太长，无法容纳文本高度，宽度又不足以容纳文本宽度。我希望表格的高度符合注释掉的行“\resizebox*{!}{\dimexpr\textheight-4\baselineskip\relax}{%”指定的高度。但是，如果我添加该行，表格将不再拉伸以适合文本宽度（参见下面的行）。有什么建议吗？
\documentclass [twoside,12pt,letterpaper]{report}
\usepackage{booktabs}
\usepackage{graphicx}
\begin{document}
\begin{table}[t!]
\centering
\caption[Reference information for the Haydn Corpus]{Reference information (Opus number, work, movement, measures), keys, time signatures, and tempo markings for the exposition sections of each movement in the Haydn Corpus.}
%\resizebox*{!}{\dimexpr\textheight-4\baselineskip\relax}{%
\begin{tabular*}{1.0\textwidth}{@{\extracolsep{\fill}} lccl}
\toprule
\textit{Excerpts} & \textit{Key} & \textit{Time Signature} & \textit{Tempo Marking} \\
\midrule
Op. 17, No. 1, i, mm. 1–43 & E & 4/4 & Moderato \\
Op. 17, No. 2, i, mm. 1–38 & F & 4/4 & Moderato \\
Op. 17, No. 3, iv, mm. 1–26 & Eb & 4/4 & Allegro molto \\
Op. 17, No. 4, i, mm. 1–53 & c & 4/4 & Moderato \\
Op. 17, No. 5, i, mm. 1–33 & G & 4/4 & Moderato \\
Op. 17, No. 6, i, mm. 1–73 & D & 6/8 & Presto \\
Op. 20, No. 1, iv, mm. 1–55 & Eb & 2/4 & Presto \\
Op. 20, No. 3, i, mm. 1–94 & g & 2/4 & Allegro con spirito \\
Op. 20, No. 3, iii, mm. 1–43 & G & 3/4 & Poco Adagio \\
Op. 20, No. 3, iv, mm. 1–42 & g & 4/4 & Allegro molto \\
Op. 20, No. 4, i, mm. 1–112 & D & 3/4 & Allegro di molto \\
Op. 20, No. 4, iv, mm. 1–49 & D & 4/4 & Presto scherzando \\
Op. 20, No. 5, i, mm. 1–48 & f & 4/4 & Allegro moderato \\
Op. 20, No. 6, ii, mm. 1–27 & E & cut & Adagio \\
Op. 33, No. 1, i, mm. 1–37 & b & 4/4 & Allegro moderato \\
Op. 33, No. 1, iii, mm. 1–40 & D & 6/8 & Andante \\
Op. 33, No. 2, i, mm. 1–32 & Eb & 4/4 & Allegro moderato \\
Op. 33, No. 3, iii, mm. 1–29 & F & 3/4 & Adagio \\
Op. 33, No. 4, i, mm. 1–31 & Bb & 4/4 & Allegro moderato \\
Op. 33, No. 5, i, mm. 1–95 & G & 2/4 & Vivace assai \\
Op. 33, No. 5, ii, mm. 1–30 & g & 4/4 & Largo \\
Op. 50, No. 1, i, mm. 1–60 & Bb & cut & Allegro \\
Op. 50, No. 1, iv, mm. 1–75 & Bb & 2/4 & Vivace \\
Op. 50, No. 2, i, mm. 1–106 & C & 3/4 & Vivace \\
Op. 50, No. 2, iv, mm. 1–86 & C & 2/4 & Vivace assai \\
Op. 50, No. 3, iv, mm. 1–74 & Eb & 2/4 & Presto \\
Op. 50, No. 4, i, mm. 1–64 & f\# & 3/4 & Allegro spirituoso \\
Op. 50, No. 5, i, mm. 1–65 & F & 2/4 & Allegro moderato \\
Op. 50, No. 5, iv, mm. 1–54 & F & 6/8 & Vivace \\
Op. 50, No. 6, i, mm. 1–54 & D & 4/4 & Allegro \\
Op. 50, No. 6, ii, mm. 1–25 & d & 6/8 & Poco Adagio \\
Op. 54, No. 1, i, mm. 1–47 & G & 4/4 & Allegro con brio \\
Op. 54, No. 1, ii, mm. 1–54 & C & 6/8 & Allegretto \\
Op. 54, No. 2, i, mm. 1–87 & C & 4/4 & Vivace \\
Op. 54, No. 3, i, mm. 1–58 & E & cut & Allegro \\
Op. 54, No. 3, iv, mm. 1–82 & E & 2/4 & Presto \\
Op. 55, No. 1, ii, mm. 1–36 & D & 2/4 & Adagio cantabile \\
Op. 55, No. 2, ii, mm. 1–76 & f & cut & Allegro \\
Op. 55, No. 3, i, mm. 1–75 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, i, mm. 1–69 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, iv, mm. 1–79 & Bb & 2/4 & Allegro con spirito \\
Op. 64, No. 4, i, mm. 1–38 & G & 4/4 & Allegro con brio \\
Op. 64, No. 4, iv, mm. 1–66 & G & 6/8 & Presto \\
Op. 64, No. 6, i, mm. 1–45 & Eb & 4/4 & Allegretto \\
Op. 71, No. 1, i, mm. 1–69 & Bb & 4/4 & Allegro \\
Op. 74, No. 1, i, mm. 1–54 & C & 4/4 & Allegro moderato \\
Op. 74, No. 1, ii, mm. 1–57 & G & 3/8 & Andantino grazioso \\
Op. 76, No. 2, i, mm. 1–56 & d & 4/4 & Allegro \\
Op. 76, No. 4, i, mm. 1–68 & Bb & 4/4 & Allegro con spirito \\
Op. 76, No. 5, ii, mm. 1–33 & F\# & cut & Largo. Cantabile e mesto \\
\bottomrule
\end{tabular*}%}
\label{tab:haydncorpus}
\end{table}
\end{document}
答案1
我建议您使用longtable环境并让表格占据多页。对我来说，这种解决方案比减小表格使用的字体大小更可取。下面的代码显示了如何设置，longtable使其宽度等于文本块的宽度。
另外：该表包含大量形式为 、 和 的缩写Op.。No.为了mm.通知 TeX 这些术语中的句号（句号）不是句末符号，您可以将紧跟在点后面的所有空格字符替换为~。
结果表的前几行将如下所示：
\documentclass{article}
\usepackage[utf8]{inputenc}
\usepackage[T1]{fontenc}
\usepackage{booktabs,longtable}
\begin{document}
%%\listoftables
\setlength{\LTcapwidth}{\textwidth}
\setlength\LTleft{0pt}
\setlength\LTright{0pt}
\begin{longtable}{@{}l@{\extracolsep{\fill}}lcl@{}}
\caption[Reference information for the Haydn Corpus]{Reference information (Opus number, work, movement, measures), keys, time signatures, and tempo markings for the exposition sections of each movement in the Haydn Corpus.} \label{tab:haydncorpus} \\
\toprule
\textit{Excerpts} & \textit{Key} & \textit{Time} & \textit{Tempo Marking} \\
& & \textit{Signature}\\
\midrule
\endfirsthead
\caption*{Table \ref{tab:haydncorpus}, continued}\\
\toprule
\textit{Excerpts} & \textit{Key} & \textit{Time} & \textit{Tempo Marking} \\
& & \textit{Signature}\\
\midrule
\endhead
\midrule
\multicolumn{4}{r@{}}{continued \dots}\\
\endfoot
\bottomrule
\endlastfoot
Op.~17, No.~1, i, mm.~1–43 & E & 4/4 & Moderato \\
Op.~17, No.~2, i, mm.~1–38 & F & 4/4 & Moderato \\
Op.~17, No.~3, iv, mm.~1–26 & E$\flat$ & 4/4 & Allegro molto \\
Op.~17, No.~4, i, mm.~1–53 & c & 4/4 & Moderato \\
Op.~17, No.~5, i, mm.~1–33 & G & 4/4 & Moderato \\
Op.~17, No.~6, i, mm.~1–73 & D & 6/8 & Presto \\
Op.~20, No.~1, iv, mm.~1–55 & E$\flat$ & 2/4 & Presto \\
Op.~20, No.~3, i, mm.~1–94 & g & 2/4 & Allegro con spirito \\
Op.~20, No.~3, iii, mm.~1–43 & G & 3/4 & Poco Adagio \\
Op.~20, No.~3, iv, mm.~1–42 & g & 4/4 & Allegro molto \\
Op.~20, No.~4, i, mm.~1–112 & D & 3/4 & Allegro di molto \\
Op.~20, No.~4, iv, mm.~1–49 & D & 4/4 & Presto scherzando \\
Op.~20, No.~5, i, mm.~1–48 & f & 4/4 & Allegro moderato \\
Op.~20, No.~6, ii, mm.~1–27 & E & cut & Adagio \\
Op.~33, No.~1, i, mm.~1–37 & b & 4/4 & Allegro moderato \\
Op.~33, No.~1, iii, mm.~1–40 & D & 6/8 & Andante \\
Op.~33, No.~2, i, mm.~1–32 & E$\flat$ & 4/4 & Allegro moderato \\
Op.~33, No.~3, iii, mm.~1–29 & F & 3/4 & Adagio \\
Op.~33, No.~4, i, mm.~1–31 & B$\flat$ & 4/4 & Allegro moderato \\
Op.~33, No.~5, i, mm.~1–95 & G & 2/4 & Vivace assai \\
Op.~33, No.~5, ii, mm.~1–30 & g & 4/4 & Largo \\
Op.~50, No.~1, i, mm.~1–60 & B$\flat$ & cut & Allegro \\
Op.~50, No.~1, iv, mm.~1–75 & B$\flat$ & 2/4 & Vivace \\
Op.~50, No.~2, i, mm.~1–106 & C & 3/4 & Vivace \\
Op.~50, No.~2, iv, mm.~1–86 & C & 2/4 & Vivace assai \\
Op.~50, No.~3, iv, mm.~1–74 & E$\flat$ & 2/4 & Presto \\
Op.~50, No.~4, i, mm.~1–64 & f$\sharp$ & 3/4 & Allegro spirituoso \\
Op.~50, No.~5, i, mm.~1–65 & F & 2/4 & Allegro moderato \\
Op.~50, No.~5, iv, mm.~1–54 & F & 6/8 & Vivace \\
Op.~50, No.~6, i, mm.~1–54 & D & 4/4 & Allegro \\
Op.~50, No.~6, ii, mm.~1–25 & d & 6/8 & Poco Adagio \\
Op.~54, No.~1, i, mm.~1–47 & G & 4/4 & Allegro con brio \\
Op.~54, No.~1, ii, mm.~1–54 & C & 6/8 & Allegretto \\
Op.~54, No.~2, i, mm.~1–87 & C & 4/4 & Vivace \\
Op.~54, No.~3, i, mm.~1–58 & E & cut & Allegro \\
Op.~54, No.~3, iv, mm.~1–82 & E & 2/4 & Presto \\
Op.~55, No.~1, ii, mm.~1–36 & D & 2/4 & Adagio cantabile \\
Op.~55, No.~2, ii, mm.~1–76 & f & cut & Allegro \\
Op.~55, No.~3, i, mm.~1–75 & B$\flat$ & 3/4 & Vivace assai \\
Op.~64, No.~3, i, mm.~1–69 & B$\flat$ & 3/4 & Vivace assai \\
Op.~64, No.~3, iv, mm.~1–79 & B$\flat$ & 2/4 & Allegro con spirito \\
Op.~64, No.~4, i, mm.~1–38 & G & 4/4 & Allegro con brio \\
Op.~64, No.~4, iv, mm.~1–66 & G & 6/8 & Presto \\
Op.~64, No.~6, i, mm.~1–45 & E$\flat$ & 4/4 & Allegretto \\
Op.~71, No.~1, i, mm.~1–69 & B$\flat$ & 4/4 & Allegro \\
Op.~74, No.~1, i, mm.~1–54 & C & 4/4 & Allegro moderato \\
Op.~74, No.~1, ii, mm.~1–57 & G & 3/8 & Andantino grazioso \\
Op.~76, No.~2, i, mm.~1–56 & d & 4/4 & Allegro \\
Op.~76, No.~4, i, mm.~1–68 & B$\flat$ & 4/4 & Allegro con spirito \\
Op.~76, No.~5, ii, mm.~1–33 & F$\sharp$ & cut & Largo. Cantabile e mesto \\
\end{longtable}
\end{document}
答案2
缩放文本会导致字体大小任意，最好使用类指定的字体，例如\footnotesize，根据使用的字体系列也可能使用该尺寸的字体设计，而不是简单的缩放版本。
如果它需要在一页上，就像这样，虽然多页表可能会更好。
就我个人而言，我只会使用tabular不强制它全宽tabular*，扩展列只会使跨表行阅读变得更加困难，但我tabular*在这里使用了（纠正缺少的序言@{}）。
\documentclass{article}
\usepackage{array,booktabs}
\begin{document}
\begin{table}[tp]
\centering
\caption[Reference information for the Haydn Corpus]{Reference information (Opus number, work, movement, measures), keys, time signatures, and tempo markings for the exposition sections of each movement in the Haydn Corpus.}
\footnotesize
\begin{tabular*}{1.0\textwidth}{@{\extracolsep{\fill}} lccl@{}}
\toprule
\textit{Excerpts} & \textit{Key} & \textit{Time Signature} & \textit{Tempo Marking} \\
\midrule
Op. 17, No. 1, i, mm. 1–43 & E & 4/4 & Moderato \\
Op. 17, No. 2, i, mm. 1–38 & F & 4/4 & Moderato \\
Op. 17, No. 3, iv, mm. 1–26 & Eb & 4/4 & Allegro molto \\
Op. 17, No. 4, i, mm. 1–53 & c & 4/4 & Moderato \\
Op. 17, No. 5, i, mm. 1–33 & G & 4/4 & Moderato \\
Op. 17, No. 6, i, mm. 1–73 & D & 6/8 & Presto \\
Op. 20, No. 1, iv, mm. 1–55 & Eb & 2/4 & Presto \\
Op. 20, No. 3, i, mm. 1–94 & g & 2/4 & Allegro con spirito \\
Op. 20, No. 3, iii, mm. 1–43 & G & 3/4 & Poco Adagio \\
Op. 20, No. 3, iv, mm. 1–42 & g & 4/4 & Allegro molto \\
Op. 20, No. 4, i, mm. 1–112 & D & 3/4 & Allegro di molto \\
Op. 20, No. 4, iv, mm. 1–49 & D & 4/4 & Presto scherzando \\
Op. 20, No. 5, i, mm. 1–48 & f & 4/4 & Allegro moderato \\
Op. 20, No. 6, ii, mm. 1–27 & E & cut & Adagio \\
Op. 33, No. 1, i, mm. 1–37 & b & 4/4 & Allegro moderato \\
Op. 33, No. 1, iii, mm. 1–40 & D & 6/8 & Andante \\
Op. 33, No. 2, i, mm. 1–32 & Eb & 4/4 & Allegro moderato \\
Op. 33, No. 3, iii, mm. 1–29 & F & 3/4 & Adagio \\
Op. 33, No. 4, i, mm. 1–31 & Bb & 4/4 & Allegro moderato \\
Op. 33, No. 5, i, mm. 1–95 & G & 2/4 & Vivace assai \\
Op. 33, No. 5, ii, mm. 1–30 & g & 4/4 & Largo \\
Op. 50, No. 1, i, mm. 1–60 & Bb & cut & Allegro \\
Op. 50, No. 1, iv, mm. 1–75 & Bb & 2/4 & Vivace \\
Op. 50, No. 2, i, mm. 1–106 & C & 3/4 & Vivace \\
Op. 50, No. 2, iv, mm. 1–86 & C & 2/4 & Vivace assai \\
Op. 50, No. 3, iv, mm. 1–74 & Eb & 2/4 & Presto \\
Op. 50, No. 4, i, mm. 1–64 & f\# & 3/4 & Allegro spirituoso \\
Op. 50, No. 5, i, mm. 1–65 & F & 2/4 & Allegro moderato \\
Op. 50, No. 5, iv, mm. 1–54 & F & 6/8 & Vivace \\
Op. 50, No. 6, i, mm. 1–54 & D & 4/4 & Allegro \\
Op. 50, No. 6, ii, mm. 1–25 & d & 6/8 & Poco Adagio \\
Op. 54, No. 1, i, mm. 1–47 & G & 4/4 & Allegro con brio \\
Op. 54, No. 1, ii, mm. 1–54 & C & 6/8 & Allegretto \\
Op. 54, No. 2, i, mm. 1–87 & C & 4/4 & Vivace \\
Op. 54, No. 3, i, mm. 1–58 & E & cut & Allegro \\
Op. 54, No. 3, iv, mm. 1–82 & E & 2/4 & Presto \\
Op. 55, No. 1, ii, mm. 1–36 & D & 2/4 & Adagio cantabile \\
Op. 55, No. 2, ii, mm. 1–76 & f & cut & Allegro \\
Op. 55, No. 3, i, mm. 1–75 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, i, mm. 1–69 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, iv, mm. 1–79 & Bb & 2/4 & Allegro con spirito \\
Op. 64, No. 4, i, mm. 1–38 & G & 4/4 & Allegro con brio \\
Op. 64, No. 4, iv, mm. 1–66 & G & 6/8 & Presto \\
Op. 64, No. 6, i, mm. 1–45 & Eb & 4/4 & Allegretto \\
Op. 71, No. 1, i, mm. 1–69 & Bb & 4/4 & Allegro \\
Op. 74, No. 1, i, mm. 1–54 & C & 4/4 & Allegro moderato \\
Op. 74, No. 1, ii, mm. 1–57 & G & 3/8 & Andantino grazioso \\
Op. 76, No. 2, i, mm. 1–56 & d & 4/4 & Allegro \\
Op. 76, No. 4, i, mm. 1–68 & Bb & 4/4 & Allegro con spirito \\
Op. 76, No. 5, ii, mm. 1–33 & F\# & cut & Largo. Cantabile e mesto \\
\bottomrule
\end{tabular*}
\label{tab:haydncorpus}
\end{table}
\end{document}
问题已被编辑以显示12pt选项有效，在这种情况下需要采取更激烈的行动才能使其适合一页：
\documentclass [twoside,12pt,letterpaper]{report}
%LaTeX Warning: Float too large for page by 129.1507pt on input line 68.
\usepackage{array,booktabs}
\begin{document}
\begin{table}[tp]
\centering
\vspace{-55pt}
\small
\caption[Reference information for the Haydn Corpus]{Reference information (Opus number, work, movement, measures), keys, time signatures, and tempo markings for the exposition sections of each movement in the Haydn Corpus.}
\footnotesize\renewcommand\arraystretch{.9}
\begin{tabular*}{1.0\textwidth}{@{\extracolsep{\fill}} lccl@{}}
\toprule
\textit{Excerpts} & \textit{Key} & \textit{Time Signature} & \textit{Tempo Marking} \\
\midrule
Op. 17, No. 1, i, mm. 1–43 & E & 4/4 & Moderato \\
Op. 17, No. 2, i, mm. 1–38 & F & 4/4 & Moderato \\
Op. 17, No. 3, iv, mm. 1–26 & Eb & 4/4 & Allegro molto \\
Op. 17, No. 4, i, mm. 1–53 & c & 4/4 & Moderato \\
Op. 17, No. 5, i, mm. 1–33 & G & 4/4 & Moderato \\
Op. 17, No. 6, i, mm. 1–73 & D & 6/8 & Presto \\
Op. 20, No. 1, iv, mm. 1–55 & Eb & 2/4 & Presto \\
Op. 20, No. 3, i, mm. 1–94 & g & 2/4 & Allegro con spirito \\
Op. 20, No. 3, iii, mm. 1–43 & G & 3/4 & Poco Adagio \\
Op. 20, No. 3, iv, mm. 1–42 & g & 4/4 & Allegro molto \\
Op. 20, No. 4, i, mm. 1–112 & D & 3/4 & Allegro di molto \\
Op. 20, No. 4, iv, mm. 1–49 & D & 4/4 & Presto scherzando \\
Op. 20, No. 5, i, mm. 1–48 & f & 4/4 & Allegro moderato \\
Op. 20, No. 6, ii, mm. 1–27 & E & cut & Adagio \\
Op. 33, No. 1, i, mm. 1–37 & b & 4/4 & Allegro moderato \\
Op. 33, No. 1, iii, mm. 1–40 & D & 6/8 & Andante \\
Op. 33, No. 2, i, mm. 1–32 & Eb & 4/4 & Allegro moderato \\
Op. 33, No. 3, iii, mm. 1–29 & F & 3/4 & Adagio \\
Op. 33, No. 4, i, mm. 1–31 & Bb & 4/4 & Allegro moderato \\
Op. 33, No. 5, i, mm. 1–95 & G & 2/4 & Vivace assai \\
Op. 33, No. 5, ii, mm. 1–30 & g & 4/4 & Largo \\
Op. 50, No. 1, i, mm. 1–60 & Bb & cut & Allegro \\
Op. 50, No. 1, iv, mm. 1–75 & Bb & 2/4 & Vivace \\
Op. 50, No. 2, i, mm. 1–106 & C & 3/4 & Vivace \\
Op. 50, No. 2, iv, mm. 1–86 & C & 2/4 & Vivace assai \\
Op. 50, No. 3, iv, mm. 1–74 & Eb & 2/4 & Presto \\
Op. 50, No. 4, i, mm. 1–64 & f\# & 3/4 & Allegro spirituoso \\
Op. 50, No. 5, i, mm. 1–65 & F & 2/4 & Allegro moderato \\
Op. 50, No. 5, iv, mm. 1–54 & F & 6/8 & Vivace \\
Op. 50, No. 6, i, mm. 1–54 & D & 4/4 & Allegro \\
Op. 50, No. 6, ii, mm. 1–25 & d & 6/8 & Poco Adagio \\
Op. 54, No. 1, i, mm. 1–47 & G & 4/4 & Allegro con brio \\
Op. 54, No. 1, ii, mm. 1–54 & C & 6/8 & Allegretto \\
Op. 54, No. 2, i, mm. 1–87 & C & 4/4 & Vivace \\
Op. 54, No. 3, i, mm. 1–58 & E & cut & Allegro \\
Op. 54, No. 3, iv, mm. 1–82 & E & 2/4 & Presto \\
Op. 55, No. 1, ii, mm. 1–36 & D & 2/4 & Adagio cantabile \\
Op. 55, No. 2, ii, mm. 1–76 & f & cut & Allegro \\
Op. 55, No. 3, i, mm. 1–75 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, i, mm. 1–69 & Bb & 3/4 & Vivace assai \\
Op. 64, No. 3, iv, mm. 1–79 & Bb & 2/4 & Allegro con spirito \\
Op. 64, No. 4, i, mm. 1–38 & G & 4/4 & Allegro con brio \\
Op. 64, No. 4, iv, mm. 1–66 & G & 6/8 & Presto \\
Op. 64, No. 6, i, mm. 1–45 & Eb & 4/4 & Allegretto \\
Op. 71, No. 1, i, mm. 1–69 & Bb & 4/4 & Allegro \\
Op. 74, No. 1, i, mm. 1–54 & C & 4/4 & Allegro moderato \\
Op. 74, No. 1, ii, mm. 1–57 & G & 3/8 & Andantino grazioso \\
Op. 76, No. 2, i, mm. 1–56 & d & 4/4 & Allegro \\
Op. 76, No. 4, i, mm. 1–68 & Bb & 4/4 & Allegro con spirito \\
Op. 76, No. 5, ii, mm. 1–33 & F\# & cut & Largo. Cantabile e mesto \\
\bottomrule
\end{tabular*}
\label{tab:haydncorpus}
\vspace{-20pt}
\end{table}
\end{document}