Latex/MikTex 将多个图形放在两列文章文档中

Question

如果我在您提供的代码之前添加\lipsum[1-10]（并修复图形代码，我就会得到您想要的东西。\usepackage{lipsum}

我只改成times了mathptmx（前者已经过时了）。

\documentclass[10pt,a4paper,twoside,twocolumn]{article}
\usepackage[utf8]{inputenc}
\usepackage[left=0.53in,right=0.83in,top=0.3in,bottom=1.7in]{geometry}
%\usepackage[hmarginratio=1:1]{geometry}
\usepackage{fancyhdr}
%\usepackage{multicol}
\usepackage{mathptmx}
\usepackage{lettrine}
\usepackage{graphicx}
\usepackage{amsmath}
\usepackage{amssymb}
\usepackage{amsthm}
\usepackage{etoolbox}% http://ctan.org/pkg/etoolbox
\usepackage{sectsty}
\usepackage{lipsum}
%\usepackage{float}
%\usepackage[hang]{footmisc}
%
\pagestyle{fancy}
\renewcommand\thesection{\Roman{section}.}
%\renewcommand\thesubsection{\thesection.\arabic{subsection}}
\setlength{\columnsep}{0.43cm}
\setlength{\parindent}{0.16in}
%\setlength\footnotemargin{10pt} %
%\footnotesep is the space between footnotes:
%\setlength{\footnotesep}{0.5cm}
%\footins is the space between the text body and the footnotes:
\setlength{\skip\footins}{0.70cm}
\renewcommand*\footnoterule{}
%\pagestyle{myheadings}
%\pdfpagewidth 8.5in
%\pdfpageheight 11in
\headheight 55pt
%\footerheight 55pt
%\rhead{\scriptsize{\thepage}}
%\chead{Middle top}
%\lhead{\scriptsize{IEEE SIGNAL PROCESSING LETTERS, VOL. 11, NO. 7, JULY 2004}}
\fancyhead[LE,RO]{\scriptsize{\thepage}}
\fancyhead[LO,RE]{\scriptsize{IEEE SIGNAL PROCESSING LETTERS, VOL. 11, NO. 7, JULY 2004}}
\cfoot{}
%\rfoot{Right bottom}
%\cfoot{\thepage}
%\lfoot{Left bottom}
\renewcommand{\headrulewidth}{0pt}
%Control the footnote indent
%\makeatletter
%\renewcommand\@makefntext[1]{%
 % \noindent\makebox[0.1em][r]{\@makefnmark}#1}
%\makeatother
%
%{\normalfont\fontfamily{phv}\fontsize{16}{19}\bfseries}{\thesection}{1em}{}
%\titleformat{\section}
 % {\normalfont\fontfamily{ptmr}\fontsize{16}{19}}{\thesection}{1em}{}
%\titleformat{\subsection}
 % {\normalfont\fontfamily{ptmr}\fontsize{14}{17}}{\thesubsection}{1em}{}
%\titleformat{\subsubsection}
 % {\normalfont\fontfamily{ptmr}\fontsize{14}{17}}{\thesubsubsection}{1em}{}
%
\makeatletter
%\patchcmd{\@makechapterhead}{\bfseries}{\relax}{}{}% Non-bold \chapter name
%\patchcmd{\@makechapterhead}{\bfseries}{\relax}{}{}% Non-bold \chapter title
\patchcmd{\section}{\bfseries}{\relax}{}{}% Non-bold \section
\patchcmd{\subsection}{\bfseries}{\relax}{}{}% Non-bold \subsection
\makeatother
%
\allsectionsfont{\centering}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Alter some LaTeX defaults for better treatment of figures:
    % See p.105 of "TeX Unbound" for suggested values.
    % See pp. 199-200 of Lamport's "LaTeX" book for details.
    %   General parameters, for ALL pages:
    \renewcommand{\topfraction}{0.9}    % max fraction of floats at top
    \renewcommand{\bottomfraction}{0.8} % max fraction of floats at bottom
    %   Parameters for TEXT pages (not float pages):
    \setcounter{topnumber}{2}
    \setcounter{bottomnumber}{2}
    \setcounter{totalnumber}{4}     % 2 may work better
    \setcounter{dbltopnumber}{2}    % for 2-column pages
    \renewcommand{\dbltopfraction}{0.9} % fit big float above 2-col. text
    \renewcommand{\textfraction}{0.07}  % allow minimal text w. figs
    %   Parameters for FLOAT pages (not text pages):
    \renewcommand{\floatpagefraction}{0.7}  % require fuller float pages
    % N.B.: floatpagefraction MUST be less than topfraction !!
    \renewcommand{\dblfloatpagefraction}{0.7}   % require fuller float pages

    % remember to use [htp] or [htpb] for placement
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\begin{document}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\lipsum[1-10]

%%%%%%%% ORIGINAL CODE (fixed)
\begin{figure*}
\centering
\includegraphics[width=3.0in]{Image1}
\caption{(a) Intensity profile extracted from a real image. (b) The estimated 1st 
derivative information. (c) The estimated contrast information with $\sigma = 2:0.$}
\label{Fig1}
\end{figure*}

\begin{figure}[t]
\centering
  \includegraphics[width=0.75\columnwidth]{Image3}
  \caption{Definition of contrast.}
  \label{Fig2}
\end{figure}

By convoluting a profile  $ I(x) $ with this operator, we have
\begin{equation}
\label{eq:3}
\varphi (x)=I(x)\otimes B(x)= I(x) - I(x)\otimes N(x;0,\sigma).
\end{equation}
Basically, $\varphi (x)$ can be imagined as the 2nd derivative of the profile I(x). 
Moreover, the local extremes of $ \varphi (x)$ correspond to the high-curvature points of 
$I(x)$. Fig. 1(c) shows the contrast information extracted from Fig. 1(a) using (3) 
with$\sigma = 2.0$ , which is determined empirically. It is obvious that Fig. 1(c) offers 
much more reliable information than Fig. 1(b).\\ Since the 2nd derivative is 
orientation-dependent, the contrast information at an image pixel has to be measured along 
various orientations. In the proposed algorithm, we detect boundaries by checking the 
relations between each pixel and its eight neighbors. Hence, four directional operators are 
used at each pixel to measure the curvature information at that pixel. These four 
directions are 0 , 45 , 90 and 135 , respectively. All these four directional contrast data 
are then grouped together in subsequent processes. \section{\small{COLOR CONTRAST IN THE 
CIE LAB COLOR SPACE}} In color image segmentation, a proper choice of color space is also a 
crucial issue. In the selection of color space, we choose the CIE $ L^*a^*b^* $ color space 
to work on due to its three major properties: $1)$ separation of achromatic information 
from chromatic information, $ 2)$ uniform color space, and $ 3) $ similar to human visual 
perception $[12]$. Here,$ L^*$ represents the luminance component, while $ a^* $ and $ b^* 
$ represent color components. The formulae for converting an RGB image into the coordinates 
can be found in many color-related articles, like $[12]$ and $[13]$.\\

\begin{figure}
\centering
\includegraphics[width=2.0in]{Image2}
\caption{Example of the test pattern in the subjective experiment.}
\label{Fig3}
\end{figure}

In the CIE color space, the Euclidean distance between and , defined as $(4)$ is 
approximately equivalent to the perceptual difference between these two colors $[4]$, 
$[12]$. By incorporating this color difference formula into our contrast definition, we 
define the color contrast across an edge as$(5)$ To further explore the correlation between 
color contrast and the luminance level or color level, we made a subjective experiment. In 
our experiment, $10$ observers are involved and the patterns are displayed over a 
calibrated ViewSonic PT775 monitor for comparisons. Here, the values of luminance/color 
contrast are coarsely quantized into eleven steps, 0, 5, 10, 15, …, 50. In

\end{document}

请注意，您有figure而不是figure*；您指定的选项无关紧要，因为figure*只会出现在顶部。

我在每个图形环境的前后都留了一个空行。当文档处于文本的最终形式时，您应该做的是

将代码放在figure*页面中两个段落之间的某个位置，该位置位于您想要的位置之前
在文档中上下移动两个figure环境，直到它们恰好到达你想要的位置

第二点不应该需要太多的劳动。

在此处输入图片描述

Answer 1